kodak vision3 500t review

I liked it enough to try some of Kodak's Vision 3 500T which is a tungsten rated film ideal for indoor and night shooting. 500T is one of the four Vision 3 films available, the others being 50D and 250D (daylight) and 200T and 500T (tungsten). As well as shooting at night I also tried the 500T in daylight with an 85b amber filter, this filter ... The First Test Results on Kodak Vision3 500T Film. Indeed, when using the Yashica Electro 35 GTN with the Kodak Vision3 500T 35mm, the photos seemed darker, with superb shadow details, saturated, and ‘contrasty‘. However, I still like the tungsten bluish tone. It was a tad dark and sombre, but do you think it looks cinematic? Pushing Kodak Vision3 500T Film – Shooting Handheld At Night. Here I go again with my second round of night film photography challenge by pushing Kodak Vision3 500T one-stop and shooting handheld at night. After the success of my first film photography at night, I decided to try something different giving more film speed by pushing Kodak ... IvanYolo » Reviews » Film Photography » Kodak Vision3 500T 35mm Film Contax G1 Test. I was excited to try my second roll of Kodak Vision3 500T film through its tests on my new Contax G1 film camera with the Carl Zeiss Biogon 28mm F2.8 lens. For this test, I’m shooting both outside and indoors, just as when I’m testing my first motion ... The result has better contrast and has less grain compared with C41 as well as much better tonality and sharpness. When you develop the Cinestill rebranded Kodak Vision 3 with C41, take Cinestill 800T as an example. The overall tone is tinted with high cyan and much grainy even if you rate the film at 500 or 800 iso. To take a leap for the first time: Push 500T to 1600. We have got successful results from shooting and developing 250D @ EI 400 and 500T @ EI 800. This time we went out in a gloomy afternoon in Guangzhou to test if the 500T could handle exposures and developments at EI 1600. I took the Voigtlander 21/4 Color-Skopar out with the Leica M4. Shooting Wide Open Aperture at F2 - F2.8. Contax G1, Carl Zeiss Planar T* 45mm F2 - Kodak Vision3 500T // Kuala Lumpur, November 2022. I was shooting handheld at F2.8 to get both eyes in focus and sometimes wide-open aperture at F2 to get more separation and also let more light in when it little dark. Speaking of Portra, Portra 400 now includes the same VISION3 technology inherited by 250D from Kodak 500T motion picture film. More on that stock in a future review. Put simply, to my eye Kodak 250D feels like the best of every colour negative film rolled into a single package. A real chameleon, as the two images below show. Kodak Vi sion3 200T [5213] เป็นฟิล์มที่ถ่ายออกมาแล้ว skin tone สวยมาก เก็บรายละเอียดแสงและเงาได้ดี เหมาะกับการถ่ายในร่ม ช่วงกลางวัน. cr : @stsnsch. Kodak Vision3 500T ... Buy Kodak VISION3 500T Color Negative Film #7219 (Super 8, 50' Roll) featuring Tungsten-Balanced Color Neg. Movie Film, Exposure Index of 500 in Tungsten Light, Expanded Highlight Latitude, Dye Layering Technology, Fine Grain and Sharpness, Wide Dynamic Range, Well Suited to Digital Post-Production, Process in ECN-2 Chemistry, Super 8 Cartridge, Single-Edge Perf.. Review Kodak 500T 7219 Buy Kodak VISION3 500T Color Negative Film #5219 (35mm, 1000' Roll) featuring Tungsten-Balanced Color Neg. Movie Film, Exposure Index of 500 in Tungsten Light, Expanded Highlight Latitude, Dye Layering Technology, Fine Grain and Sharpness, Wide Dynamic Range, Well Suited to Digital Post-Production, Process in ECN-2 Chemistry, Type U Core. Review Kodak 500T 5219 Buy Kodak VISION3 500T Color Negative Film #5219 (35mm, 400' Roll) featuring Tungsten-Balanced Color Neg. Movie Film, Exposure Index of 500 in Tungsten Light, Expanded Highlight Latitude, Dye Layering Technology, Fine Grain and Sharpness, Wide Dynamic Range, Well Suited to Digital Post-Production, Process in ECN-2 Chemistry, Type U Core. Review Kodak 500T 5219 Buy Kodak VISION3 500T Color Negative Film #7219 (16mm, 400' Roll, Single Perf) featuring Tungsten-Balanced Color Neg. Movie Film, Exposure Index of 500 in Tungsten Light, Expanded Highlight Latitude, Dye Layering Technology, Fine Grain and Sharpness, Wide Dynamic Range, Well Suited to Digital Post-Production, Process in ECN-2 Chemistry, Type T Core, Winding B Single-Edge Perf.. Review Kodak ...